CHRIS HAY

IDEAS · SYSTEMS · OBJECTS / LONDON · 2026

THE CONNECTED RECORD

Ask
the work.

Find the question. Follow the work. Return to the source.

Search scope
Why did agents leave a mark as a courtesy? ↗Cell80 invention controls ↗map memory ↗LARQL ↗FFN graph ↗How many episodes? ↗

4 THREAD · 4 SYSTEMS · 31 NOTEBOOK ENTRIES · 2 QUESTIONS · 242 FILMS · 239 CHAPTERS

Search the authored text, its questions and refusals, and the films around it. Drafts keep their status. Chapters identify a topic and a time; only the 2 indexed transcripts provide spoken passages, and their automatic captions are unreviewed. This edition retrieves sources rather than generating an answer. Explore what is connected ↗

3 RESULTS FOR “The tool was not the problem.”

PUBLISHED RECORD · REFUTED · V1.1

The tool was not the problem. ↗

Eighteen assigned AI agents used six web mechanisms at LLM Wilds. All completed the task, including three WebSocket clients and three WebAssembly executions, refuting the predicted drop-off for mechanisms requiring code. The study raises a question about agentic discoverability; it did not test discovery from a site's front door. One harness cache leak also showed how the web an agent receives can differ from the web being served.

ORIGINAL SOURCE ↗

PUBLISHED RECORD · REFUTED · V1.1

The tool was not the problem. / observation ↗

THE TOOLBOX IT IMAGINED. The socket visitors made that construction unusually revealing. Two wrote clients from Python's standard library. One said no WebSocket package was installed. It had not checked. The frozen inventory recorded two Python packages and websocat already available, alongside other routes. The third visitor inventoried its tools, used an installed package and cross-checked with websocat. A cheap existing route was used only once, as verification.

ORIGINAL SOURCE ↗

EDITORIAL DRAFT / OBSERVATION · ONGOING · V0.1

I wanted a website to behave like an exhibition. / observation ↗

03 / THE DESIGN PROBLEM. I was not looking for a website covered in animation. I wanted control of arrival, pace, scale, interruption, contrast and reveal: the tools a filmmaker or exhibition designer uses to shape attention. The vocabulary available to software seemed to collapse those decisions into containers.

READ THIS DRAFT ↗